Johann Sebastian Bach
BWV | 232 |
Titel | Hohe Messe h-moll |
Komponiert | 1724-1749, Leipzig |
Besetzung | Achtsimmiger
gemischter Chor |
Sätze | Chor:
Kyrie eleison Arie (Duett, Sopran I + II): Christe eleison Chor: Kyrie eleison Chor: Gloria in excelsis Chor: Et in terra pax Arie (Sopran II): Laudamus te Chor: Gratias agimus tibi Arie (Duett, Sopran, Tenor): Domine Deus Chor: Qui tollis peccata mundi Arie (Alt): Qui sedes Arie (Bass): Quoniam tu solus sanctus Chor: Cum sancto spiritu Chor: Credo in unum Chor: Credo in unum Deum Arie (Duett, Sopran, Alt): Et in unum Chor: Et incarnatus est Chor: Crucifixus Chor: Et resurrexit Arie (Bass): Et in Spiritum sanctum Chor: Confiteor Chor: Et expecto Chor: Sanctus Chor: Osanna Arie: (Tenor): Benedictus Arie: (Alt): Agnus dei Chor: Dona nobis pacem |
Kategorie | Messe |
Kirchenjahr | - |
Autor des Textes | Unbekannt |
Text Chor: Sopran I+ II, Alt, Tenor, Bass Traversflöte I + II Oboe d`amore I + II Fagott Violine I + II Viola Basso continuo Arie (Duett): Sopran I + II solo Violine I + II Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Traversflöte I + II Oboe d`amore I + II Fagott Violine I + II Viola Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Traversflöte I + II Oboe I + II Fagott Violine I + II Viola Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Traversflöte I + II Oboe I + II Fagott Violine I + II Viola Basso continuo Arie: Sopran II solo Violine solo Violine I + II Viola Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Traversflöte I + II Oboe I + II Fagott Violine I + II Viola Basso continuo Arie (Duett): Sopran I solo, Tenor solo Traversflöte I + II Violine I + II Viola Basso continuo Chor: Sopran II, Alt, Tenor, Bass Traversflöte I + II Violine I + II Viola Violoncello Basso continuo Arie: Alt solo Oboe d`amore Violine I + II Viola Basso continuo Arie: Bass solo Horn da caccia Fagott I + II Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Traversflöte I + II Oboe I + II Fagott Violine I + II Viola Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Violine I + II Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Oboe I + II Violine I + II Viola Basso continuo Arie (Duett): Sopran I solo, Alt solo Oboe d`amore Violine I + II Viola Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Violine I + II Basso continuo Chor: Sopran II, Alt, Tenor, Bass Traversflöte I + II Violine I + II Viola Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Oboe I + II Violine I + II Viola Basso continuo Arie: Bass solo Oboe d`amore I + II Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Basso continuo Chor: Sopran I+ II, Alt, Tenor, Bass Trompete I + II + II Pauke Oboe I + II Violine I + II Viola Basso continuo Chor: Sopran I + II, Alt I + II, Tenor I + II, Bass I + II Trompete I + II + II Pauke Oboe I + II + III Violine I + II Viola Basso continuo Chor: Sopran I + II, Alt I + II, Tenor I + II, Bass I + II Trompete I + II + II Pauke Oboe I + II Violine I + II Viola Basso continuo Arie: Tenor solo Traversflöte Basso continuo Chor: Sopran I + II, Alt I + II, Tenor I + II, Bass I + II Trompete I + II + II Pauke Oboe I + II Violine I + II Viola Basso continuo Arie: Alt solo Violine I + II Basso continuo Chor: Sopran, Alt, Tenor, Bass Trompete I + II + II Pauke Traversflöte I + II Oboe I + II Violine I + II Viola Basso continuo |
Kyrie
(1733) |
Handschriften | Bärenreiter, Kassel; Nachlass C. Ph. E. Bach; Sächsische Landesbibliothek, Dresden; Hänssler; Stuttgart; Stadt und Universitätsbibliothek, Frankfurt am Main; Bodleian Bibliothek, Oxford; Konservatorium, Paris; Universitätsbibliothek, Warschau |