Johann Sebastian Bach

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BWV 249
Title Come, hasten and hurry
Composed 1st April 1725, Leipzig
Scoring

Choir for 4 voices
Soprano solo
Alto solo
Tenor solo
Bass solo
Trumpet I + II + III
Bassdrum
Travers flute I + II
Recorder I + II
Oboe I + II
Oboe d`amore I + II
Violin I + II
Viola
Bassoon
Basso continuo

Movements Sinfonia
Adagio
Duetto and Choir (Tenor, Bass): Come, hasten and hurry
Recitative (Soprano, Alto, Tenor): O man so cold of heart
Aria (Soprano): Spirit, these thy costly spices
Recitative (Alto, Tenor, Bass): Here is the crypt
Aria (Tenor): Gentle shall my dying labor
Recitative (Sopran, Alt): And meanwhile, sighing, we here burn with deep desire
Aria (Alto): Tell me, tell me, tell me quickly
Recitative (Bass): We now rejoice
Choir: Laud and thanks, bide, O Lord, thy song of praise
Category Oratorio
Event Easter
Author of text probably Christian Friedrich Henrici (Picander)
Text
Sinfonia:
Trumpet I + II + III
Bassdrum
Oboe I + II
Violin I + II
Viola
Bassoon
Basso continuo

Adagio:
Oboe I + II
Violin I + II
Viola
Bassoon
Basso continuo

Duetto and Choir:
Tenor solo, Bass solo
Soprano, Alto, Tenor, Bass
Trumpet I + II + III
Bassdrum
Oboe I + II
Violin I + II
Viola
Bassoon
Basso continuo

Rezitative:
Soprano solo, Alto solo, Tenor solo, Bass solo
Bassoon
Basso continuo








Aria:
Soprano solo
Travers flute
Violin solo
Bassoon
Basso continuo

Recitative:
Alto solo, Tenor solo, Bass solo
Bassoon
Basso continuo







Aria:
Tenor solo
Recorder I + II
Violin I + II
Bassoon
Basso continuo


Recitative:
Soprano solo, Alto solo
Bassoon
Basso continuo


Aria:
Alto solo
Oboe d`amore
Violin I + II
Bassoon
Basso continuo


Recitative:
Bass solo
Bassoon
Basso continuo




Choir:
Soprano, Alto, Tenor, Bass
Trumpet I + II + III
Bassdrum
Oboe I + II
Violin I + II
Viola
Bassoon
Basso continuo

















Choir: Come, hasten and hurry, ye fleet-footed paces,
Make haste for the grotto which Jesus doth veil!
Tenor, Bass: Laughter and pleasure,
Attend ye our hearts now,
For he who saves us is raised up.





Alto (Mary Magdalene):
O men so cold of heart!
Where is that love then gone
Which to the Savior ye now owe?
Soprano (Mary, daughter of James): A helpless woman must upbraid you!
Tenor (Peter): Ah, our sore-troubled grieving
Bass (John):
And anxious, heartfelt woe
Tenor, Bass:
Here, joined with salty weeping
And melancholy yearning,
For him an unction did intend,
Soprano, Alto: Which ye, as we, in vain have brought.

Spirit, these thy costly spices
Should consist no more of myrrh.
For alone,
Crowned with laurel wreaths resplendent,
Wilt thou still thy anxious longing.


Tenor (Peter):
Here is the crypt
Bass (John):
And here the stone
Which kept it tightly closed.
But where, then, is my Savior gone?
Alto (Mary Magdalene): He is from death now risen up!
We met, before, an angel here
Who brought to us report of this.
Tenor (Peter): I see now with great rapture
The napkin all unwound here lying.

Gentle shall my dying labor,
Nought but slumber,
Jesus, through thy napkin be.
Yes, for it will there(4) refresh me
And the tears of all my pain
From my cheeks wipe dry with comfort.

And meanwhile, sighing, we
Here burn with deep desire:
Ah, if it only soon might happen,
To see himself the Savior!

Tell me, tell me, tell me quickly,
Tell me where I may find Jesus,
Him whom all my soul doth love!
Come now, come, and hold me close,
For my heart is, lacking thee,
Left an orphan and distressed.

We now rejoice
That this our Jesus lives again,
And these our hearts,
Which once in sadness were dissolved and in suspense,
Forget their pain
And turn to joyful anthems,
For this our Savior once more liveth.

Laud and thanks
Bide, O Lord, thy song of praise.
Hell and devil are now vanquished,
And their portals are destroyed.
Triumph, O ye ransomed voices,
Till ye be in heaven heard.
Spread open, ye heavens, your glorious arches,
The Lion of Judah with triumph shall enter!

Epistle

1 Corinthians 5: 6-8

Gospel

Mark 16: 1-8

Manuscript Estate C. Ph. E. Bach; Singing Academy, Berlin; University library , Warschau

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